2025
2025
2025
2025
2025
2025
NII ARCHVE
NII Archive (Science, Art, Research, Archive) is a strategic direction of the Winzavod Center for Contemporary Art, combining an institutional archive with exhibition, publishing, public, and grant programs.
The visual language is built around the metaphor of archiving. This is expressed through the handwritten logo, a restrained color palette, a clear and structured grid, and a strong typographic focus.
The visual language is built around the metaphor of archiving. This is expressed through the handwritten logo, a restrained color palette, a clear and structured grid, and a strong typographic focus.
The Association of Galleries brings together 39 galleries and represents the interests of the art market.
The visual identity is based on the imagery of office materials — folders, papers, paper clips, and other stationery — with the office acting as a metaphor for stability and seriousness. These objects are standardized and reflect the strict, formal nature of office and corporate culture. At the same time, today they carry an additional layer of meaning — tactility and analog sensibility.
The visual identity is based on the imagery of office materials — folders, papers, paper clips, and other stationery — with the office acting as a metaphor for stability and seriousness. These objects are standardized and reflect the strict, formal nature of office and corporate culture. At the same time, today they carry an additional layer of meaning — tactility and analog sensibility.
LUDI — a creative agency working with spatial and visual solutions. Main principle: made by people for people.
When creating the logo, I used the circle as a natural form that is widely found in nature — planets, the stamens of flowers, and the pattern on a ladybug’s wings. The intersection of circles symbolizes the interaction between spatial decor and design in the creation of projects.
In designing the wordmark, I wanted to convey the agency’s core values — humanity, sincerity, and a handcrafted approach. That is why the lettering appears hand-drawn and intentionally contains small imperfections.
When creating the logo, I used the circle as a natural form that is widely found in nature — planets, the stamens of flowers, and the pattern on a ladybug’s wings. The intersection of circles symbolizes the interaction between spatial decor and design in the creation of projects.
In designing the wordmark, I wanted to convey the agency’s core values — humanity, sincerity, and a handcrafted approach. That is why the lettering appears hand-drawn and intentionally contains small imperfections.
Winzavod.Holidays is a seasonal program by Winzavod.Kids at the Winzavod Center for Contemporary Art, dedicated to introducing children to the world of contemporary art. The program includes workshops, games, exhibition visits, and other activities.
The Open Studios project has existed since 2017 and is part of the New Names of Winzavod strategic direction. It brings together the principles of a workshop, residency, and art school within one of Russia’s leading art institutions, the Winzavod Center for Contemporary Art.
WIN-WIN Project is an initiative by the Winzavod Center for Contemporary Art aimed at supporting the contemporary Russian art market. It provides an opportunity for independent artists and creative collectives to present their work alongside galleries, foundations, and publishers.
AGA TALKS
LUDI
Winzavod.Holidays
Open Studios
WIN-WIN
I am a graphic and web designer and a visual artist.
Ex designer at Winzavod Center of Contemporary Art, Association of Galleries, |catalog|.
Ex designer at Winzavod Center of Contemporary Art, Association of Galleries, |catalog|.
Exhibition design, visual identity
Visual identity, SM-design
Branding, logo
Branding, logo
Visual identity, graphic design
Visual identity, graphic design
2026
*
2023
The rebranding project for the Museum of Cosmonautics was developed based on the museum’s theme.
Blue (sky), white (stars), and black (space) form the foundation of the visual system. The key elements — the dot and the line — reference celestial mapping.
Blue (sky), white (stars), and black (space) form the foundation of the visual system. The key elements — the dot and the line — reference celestial mapping.
Rebranding of a Cosmonautics museum
Branding
2025
The book Fears of Natural Spaces is built around the visual metaphor of unsettling spatial solitude, inspired by Goya’s The Dog.
The use of natural materials — a canvas cover and charcoal drawings — reinforces the connection to nature and its inherent tension.
The publication is compiled from anthropological, cultural, and literary texts, alongside excerpts from fiction. The third chapter, also curated by me, focuses on artists exploring the theme of fear.
The use of natural materials — a canvas cover and charcoal drawings — reinforces the connection to nature and its inherent tension.
The publication is compiled from anthropological, cultural, and literary texts, alongside excerpts from fiction. The third chapter, also curated by me, focuses on artists exploring the theme of fear.
Fears of natural spaces
Book design
2025
2025
2025
2025
2025
2025
2023
NII ARCHVE
NII Archive (Science, Art, Research, Archive) is a strategic direction of the Winzavod Center for Contemporary Art, combining an institutional archive with exhibition, publishing, public, and grant programs.
The visual language is built around the metaphor of archiving. This is expressed through the handwritten logo, a restrained color palette, a clear and structured grid, and a strong typographic focus.
The visual language is built around the metaphor of archiving. This is expressed through the handwritten logo, a restrained color palette, a clear and structured grid, and a strong typographic focus.
The Association of Galleries brings together 39 galleries and represents the interests of the art market.
The visual identity is based on the imagery of office materials — folders, papers, paper clips, and other stationery — with the office acting as a metaphor for stability and seriousness. These objects are standardized and reflect the strict, formal nature of office and corporate culture. At the same time, today they carry an additional layer of meaning — tactility and analog sensibility.
The visual identity is based on the imagery of office materials — folders, papers, paper clips, and other stationery — with the office acting as a metaphor for stability and seriousness. These objects are standardized and reflect the strict, formal nature of office and corporate culture. At the same time, today they carry an additional layer of meaning — tactility and analog sensibility.
LUDI — a creative agency working with spatial and visual solutions. Main principle: made by people for people.
When creating the logo, I used the circle as a natural form that is widely found in nature — planets, the stamens of flowers, and the pattern on a ladybug’s wings. The intersection of circles symbolizes the interaction between spatial decor and design in the creation of projects.
In designing the wordmark, I wanted to convey the agency’s core values — humanity, sincerity, and a handcrafted approach. That is why the lettering appears hand-drawn and intentionally contains small imperfections.
When creating the logo, I used the circle as a natural form that is widely found in nature — planets, the stamens of flowers, and the pattern on a ladybug’s wings. The intersection of circles symbolizes the interaction between spatial decor and design in the creation of projects.
In designing the wordmark, I wanted to convey the agency’s core values — humanity, sincerity, and a handcrafted approach. That is why the lettering appears hand-drawn and intentionally contains small imperfections.
Winzavod.Holidays is a seasonal program by Winzavod.Kids at the Winzavod Center for Contemporary Art, dedicated to introducing children to the world of contemporary art. The program includes workshops, games, exhibition visits, and other activities.
The Open Studios project has existed since 2017 and is part of the New Names of Winzavod strategic direction. It brings together the principles of a workshop, residency, and art school within one of Russia’s leading art institutions, the Winzavod Center for Contemporary Art.
WIN-WIN Project is an initiative by the Winzavod Center for Contemporary Art aimed at supporting the contemporary Russian art market. It provides an opportunity for independent artists and creative collectives to present their work alongside galleries, foundations, and publishers.
The rebranding project for the Museum of Cosmonautics was developed based on the museum’s theme.
Blue (sky), white (stars), and black (space) form the foundation of the visual system. The key elements — the dot and the line — reference celestial mapping.
Blue (sky), white (stars), and black (space) form the foundation of the visual system. The key elements — the dot and the line — reference celestial mapping.
AGA TALKS
LUDI
Winzavod.Holidays
Open Studios
WIN-WIN
Rebranding of a Cosmonautics museum
I am a graphic and web designer and a visual artist.
Ex designer at Winzavod Center of Contemporary Art, Association of Galleries, |catalog|.
Ex designer at Winzavod Center of Contemporary Art, Association of Galleries, |catalog|.
Exhibition design, visual identity
Visual identity, SM-design
Branding, logo
Branding, logo
Visual identity, graphic design
Visual identity, graphic design
Branding
2025
The book Fears of Natural Spaces is built around the visual metaphor of unsettling spatial solitude, inspired by Goya’s The Dog.
The use of natural materials — a canvas cover and charcoal drawings — reinforces the connection to nature and its inherent tension.
The publication is compiled from anthropological, cultural, and literary texts, alongside excerpts from fiction. The third chapter, also curated by me, focuses on artists exploring the theme of fear.
The use of natural materials — a canvas cover and charcoal drawings — reinforces the connection to nature and its inherent tension.
The publication is compiled from anthropological, cultural, and literary texts, alongside excerpts from fiction. The third chapter, also curated by me, focuses on artists exploring the theme of fear.
Fears of natural spaces
Book design
2026
*
